Ming pays rent and primarily works on the unceded and unsurrendered traditional territories of the Musqueam, Squamish, and Tsleil-Waututh nations. She is a performer, deviser, facilitator, and teacher who specializes in physical theatre and the creation of new work as a collective ensemble. A graduate of the Advanced Devising Practice program at LISPA (now arthaus.berlin), Ming also holds a MA in Ensemble Theatre (Rose Bruford), and a BFA in Acting (UVic).
Select teaching credits include: Bard on the Beach, The Arts Club, CircusWest, BC Drama Festival, Rose Bruford College, Gateway Theatre, StageCoach, Langara College, Cleveland Elementary School, Parkgate Community Centre, South Surrey Youth Theatre Company, ASSIST Community Service Center, and the Citadel Theatre.
Select performing credits include: Noises Off and The Penelopiad (The Arts Club), Taming of the Shrew, Shakespeare in Love, Timon of Athens, and Lysistrata (Bard on the Beach), East Van Panto – Snow White and the Seven Dwarves (Theatre Replacement), Blisskrieg (Atomic Vaudeville), PostSecret: The Show (The Firehall Arts Centre), and Big Bad and Fall Away Home (Boca del Lupo).
Her current projects include: developing a new production of ANTIGONE (adapted by her creative partner, Kate Besworth) for Bard on the Beach, co-creating/co-directing an international outdoor roving production for Right Angle Productions titled Art Heist, facilitating the film trailer and theatrical launch for a book of poetry called “The Milk of Amnesia”, performing in a radio production of A War of the Worlds for Theatre in the Dark, and producing/curating At Last – a new immersive theatrical experience for her Vancouver theatre collective, At Last Productions.