The course is designed to deepen understanding of the actor’s role, the preparation and analysis expected in the profession, and provide the tools necessary to achieve those goals. This course is broken into four units each year.

The focus of Acting studies in Year 1 includes ensemble work, basic improvisational skills, story-telling and beginning scene work; text-based scene work, scene analysis, discovering character, playing objectives; Canadian scene work using modern/contemporary Canadian plays; exploration of character and truth within our own culture context; an introduction to acting, classical text using monologues and scene work.

In Year 2 students study: scene work to develop a natural presence onstage and to find the honesty of the character and their motivations drawing on a series of “World Plays” from Brecht to Tennessee Williams; Chekov through analysis and scene work using the characters found in plays as the catalyst for discovering the truth of the moment; Solo Flight – the analysis of character background within the structure of a “solo” presentation (a storytelling, story theatre exploration); scene work that explores “playing the truth” of the moment while exploring classical comedy in the plays of Moliere and Shakespeare.

Actor’s Voice

The goal of this course is to develop an understanding that all the work from all the other courses is integrated. The foundation year will contain:

  • An introduction to voice/monologue/Shakespeare and blood memory dialect work.
  • An emphasis on the use of mind, body and voice, and how this relates to learning “how to act”.
  • The concept and importance of script preparation as a major tool for the actor in approaching a text to speak.
  • Tools for an actor to evaluate their own work.

The 2nd year of training will build on the concept of teaching acting through integrated units, consisting of different “genres” of playwrights and acting styles and vocal work in line with year one. The 2nd year course places heavy focus on:

  • Applying vocal techniques as needed for the plays that will be presented before an audience.
  • Learning how to select and prepare suitable monologues for the professional audition process.
  • Self-evaluation as a tool to help with the rigours of auditioning for a job.
Physical Theatre

The primary emphasis of Physical Theatre I will be an introduction to performance languages which focus on the physical playing of the actor based on the Lecoq Pedagogy. Improvisation will be at the heart of the learning process. The course will encourage skills of observation to find a reference point of neutrality. Supplemental to analytical ability will be an understanding of the necessity of error in discovery and creation.

Year 2 offers the opportunity to develop the skills which focus on the physical playing of the actor based on the Lecoq Pedagogy. These skills may be applied to both the creation of new work and the interpretation of written text. Improvisation will be at the heart of the learning process and an understanding of the necessity of error in discovery and creation will be integral to the work.

The course will include three main modules of study:

  • Module 1 Movement Analysis
  • Module 2 Human Nature
  • Module 2 The Clown and the Red Nose
Creative Development

The Creative Development course offers the opportunity to experience the creative process related to ensemble work. It is an intensive training experience designed to encourage the development of individual and ensemble skills through a wide variety of techniques related to the process of collaborative play-building. The ensemble learns to actively participate in the creation of an original theatrical piece.

Stage Combat

The student is instructed in unarmed and armed combat with a strong emphasis on safety procedures; proper approach to the work; proper warm-up; practice techniques and how to “sell” the illusion. Techniques in armed and unarmed combat provide the student with a foundation and vocabulary which enables them to devise their own choreographic sequences using both traditional and non-traditional weapons.

Transition to Screen

The introduction to acting for the screen includes the transition from stage acting technique to screen acting technique and vocabulary. You will be introduced to the basic differences between camera and stage performing, and will begin practice adjusting power and focus when on camera. You will also practice slating, hitting marks and auditioning for film and TV. The roles and responsibilities of cast and crew will be taught.  Creating and updating skills for demo-reels will begin.

Year 2 offers advanced acting for the screen with practice of both long and short scenes. Includes more complex transition from stage acting technique to screen acting technique and vocabulary. Study and practice of on-camera performance with emphasis on storytelling is continued through techniques such as eye-lines and body language.  Every student will graduate with a demo-reel.

Theatre History

An overview of important theatre practices and developments starting with Ancient Greece through to the beginnings of modern theatre.

Acting Master Class

Puppetry workshops, etc.


  • Ballet Levels 1, 2, 3, Advanced
  • Tap Levels 1, 2, 3
  • Jazz Levels 1, 2, 3, 4
  • Musical Theatre 1&2; 3&4

This course provides an eclectic classical ballet training at appropriate levels from beginner to advanced. Emphasis is placed on developing technique, building ballet vocabulary, and cultivating expressiveness. Pas de deux is offered to the men and to the advanced women.


Based on contemporary and modern dance techniques, with the inclusion of isolations and syncopated movement and fall and recovery; this course introduces students to a variety of styles and techniques while developing strength, stamina and flexibility.


Through all levels of this course, students will explore tap technique including the formation of “combinations” and a routine, fundamental tap terminology and move into building a broader foundation of skills: musicality, advanced syncopation and rhythms with a focus on speed, precision, clarity, control and consistency.

Musical Theatre Styles

The Musical Theatre Styles course is based on the choreographic styles created and performed in the contemporary musical theatre repertoire. The student will be introduced to a variety of choreographic styles. For example Jerome Robbins, Michael Bennet, Swing, 1920s, 1950s Rock and Roll and Fosse.


Private Voice

Vocal exercises will be given that encourage the development of a strong “singing on stage” solo vocal technique, built on the foundation of a healthy vocal production. The voice instructor will assist and advise the selection of suitable solo repertoire for presentation in Connections, Master Classes.

Vocal Ensemble

You will be directed to sing in a variety of musical styles that pertain to singing in harmony in a performance ensemble and theatre chorus settings. The ensemble will sing and perform for various school functions throughout the school year (with a required dress code for rehearsal and performance). This course offers the opportunity for practical application of skills studied in Private Voice and Music Theory in an ensemble setting.

Music Theory

This course is designed to teach the fundamentals of music rudiments. The specific areas covered in this course are notes (treble and bass clef), rhythm (meter, note values, time signatures), scales (major, minor), intervals (major, minor, perfect, augmented and diminished), triads, basic sight singing, and piano skills.  The goal is to be able to apply this knowledge to the learning and preparation of repertoire.


This course is designed as a lab with an opportunity to present prepared workshops of Musical Theatre repertoire. Class participation is essential as the craft is revealed through group exercises and process focused discussion.  As “viewers” in class, critical thinking is essential to aiding your fellow students the process of their own discovery. A set number of workshops or audition pieces of prepared songs from voice lessons will be performed.

Voice Master Class

Lecture and demonstration workshops will be held on topics related to vocal technique, pedagogy and the art of solo voice performance. Students will participate in the demonstration presented by Masters-qualified voice instructors and guest artists. Solo musical selections will be presented as part of the demonstration and workshop process.


Career Management

In the performing arts, there are two means of employment. One will either audition and work for an existing company or develop, create and produce their own work. A healthy and successful career quite often comprises both.



Each year our students are offered opportunities to perform in and with:

  • Remembrance Day Tour
  • New Works Festival (Year 2 Mentorship projects)
  • Theatrical Treasures (Year 2 plays)
  • Final year-end full-scale musical
  • Community Engagement and Outreach concerts and performances.
  • Victoria Symphony
  • Military Naden Band

All Year I and Year IIs will receive a Performance Evaluation for the school year based on production and presented work.

Mentorship Projects

Each year, 2nd-year students are given the opportunity to work on a creative piece of their choosing in either Play-writing, Choreography, Vocal Ensemble Direction, Play Directing, Stage Management, or Music Theatre Creation.  They can submit an application outlining their proposal for a project, either individually or as a part of a collaborative team.  Applications are reviewed and selected by a panel of Mentors.  Successful applicants are mentored through their development and rehearsal process, and they cast their project from the current student body.  Successful projects are presented at the New Works Festival scheduled in the calendar year.